FREE SERIES – Moonlight CMX
AUDIO DEMOS
* IMPORTANT NOTE * KONTAKT full version is required v6.7.1
DESCRIPTION
MOONLIGHT CMX is our recreation of the legendary Fairlight CMI, the groundbreaking music production tool that revolutionized the industry in the late 1970s and 1980s.
Our recreation is a reproduction of the original instrument, with modern enhancements to make it even more versatile and user-friendly. It features the same digital sampled library that made the original Fairlight such a game-changer, along with e advantage of the latest Kontakt technology.
You can create and manipulate sounds in many ways, whether you’re a seasoned professional or just starting out. the MOONLIGHT CMX offers a powerful and inspiring way to bring all the sounds of that times back to life.
FEATURES
MAIN
Instrument selector: Click on the big button which displays the name of the selected instrument, and a pop-up menu will appear where you can choose your desired instrument. After the selection is done, click on Close List to go back to the main view.
Vol: Adjusts the output volume of the instrument.
Pan: Adjusts the panning position of the instrument.
Pitch: Adjusts the pitch of the instrument.
Dyn: Adjusts the dynamics of the instrument.
TRANSPOSE
Semi: Transposes the incoming MIDI notes by semitones.
Octave: Transposes the incoming MIDI notes by octaves.
PB RANGE
Pitch up: Max allowed pitch bend up interval
Pitch down: Max allowed pitch bend down interval
LEGATO
Legato: Enables Legato mode.
Porta: Enables portamento mode.
Time: Adjusts portamento time.
ARPEG
Arpeggiator: enables arpeggiator mode.
Up/Down: Sets the direction of the arpeggio pattern.
Rate: Sets the rate of the arpeggiator in fractions of a beat.
FILTER
Filt: Adjusts the frequency above which signals will be attenuated.
Resonance: With a value greater than 0, this control will boost
a small frequency range around the cutoff frequency.
Freq: Adjusts the frequency of this LFO’s output signal
Int: Adjusts the filter’s intensity
ENVELOPE
Attack: The initial time it will take the envelope to reach its maximum level after it has been triggered.
Decay: The time it will take the envelope to fall from its maximum level to the level set by the Sustain
control.
Sustain: After it has completed its attack, hold, and decay
phases, the envelope will stay at this level as long as the
key is being held.
Release: The time it will take the
envelope to fall from its sustain level back to zero after
the key has been released.
RANDOM
Play Random: When on, a random instrument will be played every note.
Choose Random: Click on it in order to select a random instrument.
FX
S.Rate: Adjusts the sample rate of the instrument.
Chorus: Adjusts the amount of chorus in the mix.
Phaser: Adjusts the amount of phaser in the mix.
Rotor: Adjusts the amount of rotors speaker simulation in the mix.
Delay: Adjusts the amount of delay in the mix.
Reverb: Adjusts the amount of reverberation in the mix.
In this particular release we had the opportunity to collaborate with Tomás Mulcahy, who has sampled
all the instruments, and share them through his webpage. Please check it out :
https://tomasmulcahy.com/
https://tomasmulcahy.com/fairlight-series-iii-factory-library/
A few words from Tomás Mulcahy.
“
We created this using Redmatica Keymap after extracting the WAVs from a CMI Hard Drive using
CMIOS9. I further tweaked the Kontakt version after. So in many cases the loops and the tuning will be
more accurate/ smoother than the original. In some cases where the voice is made up of a selection of
dissimilar samples, the mapping might be a bit funky. My hope with this is to:
1. Help people make great music.
2. Bust some of the myths about the Fairlight. Now you can form your own opinion about these classic
sounds.
3. I see a number of people trying to make money out of these sounds, selling them in Kontakt format
on Ebay, or to Fairlight owners at inflated prices. This is morally wrong. Plus the sounds are not looped
as they would be on the Fairlight.
4. There is some cork-sniffing in the Fairlight community, generating illogical arguments about having to
own a Fairlight before you are entitled to use these
sounds.
Furthermore there is no valid copyright claim on this
library (which is why so many people sell it on Ebay). It
is provided here as free to use.
Luckily I am friendly with some Fairlight owners who
think this is silly, and my thanks to them for helping
with these sounds.
5. Enjoy! Feedback/ discussion welcomed.”
MORE FREEBIES